CLAIRE MENG

Laundry Day Interlude

Blazing in backyard grass:
bees drenched in lemon light,
the garden sweet & singing.

Monday. Still sour with summer 
sweat, I’m spinning 
to a rhythmless tune through

the parched lawn, humming
with flight. Rheumy blue
blurring with fresh-cut green

and glints of silver holding
damp jeans — I’m caught
in the kaleidoscope

of each second. Dizziness 
straight to my head, 
the aftertaste of honey-

gilded hawthorne berries,
stinging and sweet, always
best served cold. Inside

the house: blankets 
like boulders in tired 
disguise, and the thick

stench of exhaustion — but
at least while the world’s still
in motion, perfection sleeps in

the chemical softness 
of my shirt, warming 
my chest with the promise

of more clean laundry, 
slow afternoons. 

qingdao summers in my old body

june muffles my head in styrofoam sweetness. 
sticky leather couches cling to my thighs, stray
street cats and the lull of the ocean wiping 
my footprints through the kitchen into silence. at night: 
the hsshh hiss and swell of seawater spitting white
foam against porous rock. rollerblades sliding
along granite tiles, forward and faster, lurching 
sense of the wrong gravity, the wrong
gravity pulling me sideways toward the ocean’s
arms. In constant freefall, my loose limbs 
and tangled tongues twisting in the rolling 
waves, rocking in our own unscalable key; this skin-
smudged color you can’t name blading across 
unlabeled shapes; this sinking stomach sealed with
cellophane, borrowed from another sleepless summer— 
i brought back this foreign season’s songs in salt-
stained suitcases and my name, too, my mother’s
misconception—another country’s satellite 
trained on my body, my real self, just a girl
singing in a seawoman’s shanty—my real self,
ramrod straight at the pool’s edge as my classmates
timber—my real self is the eye 
of the needle in syrup-thick symphony, swimming 
across this side of the Pacific to reach a blade
of truth. which is to say: i am 

Claire Meng is a Seattle-based student poet and an alumna of the Kenyon Review Young Writers’ Workshop. Her work can be found in Cherry Tree: A National Literary Journal @ Washington College and wildness. When she’s not absorbed in a book, you can find her playing the flute or creating 30-minute playlists.